Indeed, the film was a runaway success from the day of its release in Los Angeles on August 1, 1973, and played in some theatresįor two years in those days before the multiplex. Hearted and innocently healing Ozian Force of AMERICAN GRAFFITI. And escape they did, for aĭisillusioned world that was eager to leave behind the riotous tumult of the Sixties and the dark and apocalyptic pessimism of the Cold War abandoned their box populis and eagerly soaked up the light The tumultuous turmoil of the rest of the Sixties and the early Seventies and exorcised FRITZ THE CAT was just what audiences needed for escape. Clearly, an easy going, good natured, harmonizing, healing and wistful film that reminded audiences of the peaceful years before the assassination of President John F. Sexual and adult films of New Hollywood, AMERICAN GRAFFITI and its rockin rebel soundtrack-supposedly the first ever all rockin rebel soundtrack for a film-were eagerly embraced by youngĪudiences. ![]() ![]() ![]() Openly Ozian themed sadolescent film that wallowed eagerly and wistfully in clean cut early Sixties nostalgia and Fifties rock and roll and was the complete opposite of the grittier and more violent, Curiously, and luckily for Lucas and company, despite being a sweet, innocent and
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